Convention Synopsis: Post Living Canvas


The Living Canvas Convention in September is now over.  Judy Luthy and family has put the convention on for the past three years in San Jose, CA. It started out with just 15 people, but this year it was up to 75 registered attendees!

BENEFITS

I found myself really enjoying a convention of this size. The classes were not so bloated, you had time to get more quality bonding and networking accomplished, and the instructors were also easier to get one on one time with since they weren’t bombarded with 400 adoring fans all waiting for a chance to talk to them. If you haven’t gone to a convention before, I suggest starting out at the smaller ones. They are way more affordable, and you have a better opportunity to learn.

Alana Dill

HIGHLIGHTS

The Living Canvas highlights for me were painting at the Diamond FX booth with Santi, Elena and Kurt, the men hanging around in the tops of the palm trees, the curious black squirrels, the easy access to cheap and yummy food across the street, the simple layout of the class locations, the amazing instructors they brought in, and the wonderful people who attended my classes.

Elena painting Max I loved the competition at the end of last day where you compete against yourself, not the other participants. Once everyone was done you had to explain how you used the skills that you picked up at the convention to create your design.  I was kind of stuffed up from all the palm tree debris in the air, so I modeled for Gen Keller instead of competing. Ahhh…. She gave me an amazing make over! That was the cherry on top!

DREAMS FOR THE FUTURE

I still would love to see a convention that has more work shop style classes where the painters actually PAINT during the classes. These would need to be longer classes with smaller instructional goals. Like one class could be, Improving your Line Work, or Learn to paint Scary Mouths, or 5 One Stroke Wonders of the World, and the instructors of the classes list exactly what you will be working on in the class, so you can decide if you need it or not.

“STAYING AWAKE and STILL is HARD No Matter How Talented the Instructors Are.

Part of me wishes there were no classes, and it was just always bunches of jam groups with an informal leader. I would also like challenge jams where people were challenged to paint their most creative This or That. Those who would usually be teaching at the front of the class instead would give creative criticism to those who participate. What about you paint half the face and the instructor shows you how to improve it while they paint a “better” version on the other side?? This is where I feel like I would really learn.

WHAT DO YOU WANT?

If you have been to a convention, what would you like to see? If you haven’t been, what would you hope to get out of it?

Where in the U.S. do you feel like a convention is Missing?

How much would you be willing to invest on a 3 day convention. Would a weekend convention or a week day convention be better for you?

Would you rather just get together and socialize and Jam, or do you like Classes? New Face Painters have different goals than long time face painters…is that true?